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      <image:title>Stories - (S1E9) We’re Still Here: Defend Glendale &amp;amp; Public Housing Coalition - Glendale is a model of what public housing should be, but there is no public housing in Minneapolis right now that's like Glendale. We're the last one. They've destroyed all the other ones that were like us.</image:title>
      <image:caption>-Ladan Yusuf, Defend Glendale &amp; Public Housing Coalition Co-Founder and Campaign Organizer</image:caption>
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      <image:title>Stories - (S1E9) We’re Still Here: Defend Glendale &amp;amp; Public Housing Coalition</image:title>
      <image:caption>In Southeast Minneapolis’s Prospect Park neighborhood, the Glendale Townhomes is historic ground, not just for housing, but for resistance. Built in 1952 under Mayor Hubert Humphrey’s administration to shelter World War II veterans from homelessness, this 184-unit complex is the city’s oldest remaining public-housing development. For decades, working-class families, immigrants, and African Americans laid down roots here during waves of displacement and urban renewal. Yet in recent years, Glendale has also become the epicenter of a grassroots fight to protect the right to stay. The Defend Glendale &amp; Public Housing Coalition is at the heart of this fight.</image:caption>
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      <image:title>Stories - (S1E9) We’re Still Here: Defend Glendale &amp;amp; Public Housing Coalition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Stories - (S1E9) We’re Still Here: Defend Glendale &amp;amp; Public Housing Coalition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Stories - (S1E9) We’re Still Here: Defend Glendale &amp;amp; Public Housing Coalition</image:title>
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      <image:title>Stories - (S1E9) We’re Still Here: Defend Glendale &amp;amp; Public Housing Coalition - Ruby Barber (1931-1988)</image:title>
      <image:caption>Ruby Barber (1931-1988)</image:caption>
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      <image:title>Stories - (S1E9) We’re Still Here: Defend Glendale &amp;amp; Public Housing Coalition - Dorothy Whittaker (1921-2008)</image:title>
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      <image:title>Stories - (S1E8) Trials by Fire: The Scottsboro Boys Museum - Dr. Thomas Reidy</image:title>
      <image:caption>Executive Director, Scottsboro Boys Museum.</image:caption>
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      <image:caption>Haywood Patterson &amp; Earl Conrad</image:caption>
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      <image:caption>Shelia Washington (1960-2021), Founder of the Scottsboro Boys Museum</image:caption>
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      <image:caption>Digital Kiosk, Scottsboro Boys Museum</image:caption>
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      <image:caption>Courtroom Exhibit, Scottsboro Boys Museum</image:caption>
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      <image:caption>Scotssboro Limited Lithograph, Mary and Leigh Block Museum of Art, Northwestern University, 1992.57</image:caption>
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      <image:caption>Exterior of the Scottsboro Boys Museum, housed in the historic Joyce Chapel</image:caption>
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      <image:caption>Alabama Governer Robert Bentley signing the Scottsboro Boys Act into law, 2013</image:caption>
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      <image:caption>Scottsboro Boys Historic Marker at the Jackson County Courthouse</image:caption>
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      <image:caption>Interior Exhibit, Scottsboro Boys Museum</image:caption>
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      <image:caption>Interior Exhibit, Scottsboro Boys Museum</image:caption>
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      <image:title>Stories - (S1E7) We Just Wanted to Be Free: The Safe House Black History Museum - Pastor Kerving Jones</image:title>
      <image:caption>Pastor Kervin Jones, Executive Director of the Safe House Black History Museum</image:caption>
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      <image:title>Stories - (S1E7) We Just Wanted to Be Free: The Safe House Black History Museum - Make it stand out</image:title>
      <image:caption>Exhibit text featuring a quote by Theresa Burroughs.</image:caption>
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      <image:title>Stories - (S1E7) We Just Wanted to Be Free: The Safe House Black History Museum - Continuing Her Legacy</image:title>
      <image:caption>Mrs.</image:caption>
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      <image:caption>Photograph of Safe House Black History Museum interior</image:caption>
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      <image:title>Stories - (S1E7) We Just Wanted to Be Free: The Safe House Black History Museum - Make it stand out</image:title>
      <image:caption>A photo exhibit of civil rights movement foot soldiers in Greensboro, AL.</image:caption>
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    <image:image>
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      <image:title>Stories - (S1E7) We Just Wanted to Be Free: The Safe House Black History Museum - Make it stand out</image:title>
      <image:caption>A photo exhibit of civil rights movement foot soldiers in Greensboro, AL.</image:caption>
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    <image:image>
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      <image:title>Stories - (S1E7) We Just Wanted to Be Free: The Safe House Black History Museum - Make it stand out</image:title>
      <image:caption>Interior of the Safe House Black History Museum Community Room and Gallery</image:caption>
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    <image:image>
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      <image:title>Stories - (S1E7) We Just Wanted to Be Free: The Safe House Black History Museum - Make it stand out</image:title>
      <image:caption>Donated animal feeding through by which enslaved children were fed.</image:caption>
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    <image:image>
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      <image:title>Stories - (S1E7) We Just Wanted to Be Free: The Safe House Black History Museum - Make it stand out</image:title>
      <image:caption>Ku-Klux-Klan Robe donated by a former member to the museum.</image:caption>
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      <image:caption>Signage for the AAACRHSC</image:caption>
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      <image:caption>Black farmers exhibit.</image:caption>
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      <image:caption>Safe House Black History Museum Outdoor Signage</image:caption>
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      <image:title>Stories - (S1E7) We Just Wanted to Be Free: The Safe House Black History Museum - Make it stand out</image:title>
      <image:caption>Freedom Lane Hallway, Safe House Black History Museum Interior</image:caption>
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    <lastmod>2025-08-02</lastmod>
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      <image:title>Stories - (S1E6) Freedom Was the Curriculum: 163 Years of the Penn Center</image:title>
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    <image:image>
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      <image:title>Stories - (S1E6) Freedom Was the Curriculum: 163 Years of the Penn Center</image:title>
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      <image:title>Stories - (S1E6) Freedom Was the Curriculum: 163 Years of the Penn Center</image:title>
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    <image:image>
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      <image:title>Stories - (S1E6) Freedom Was the Curriculum: 163 Years of the Penn Center</image:title>
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    <image:image>
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      <image:title>Stories - (S1E6) Freedom Was the Curriculum: 163 Years of the Penn Center</image:title>
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      <image:title>Stories - (S1E6) Freedom Was the Curriculum: 163 Years of the Penn Center</image:title>
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      <image:caption>Exhibit Signage in the Penn Center’s York W. Bailey Museum</image:caption>
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      <image:title>Stories - (S1E6) Freedom Was the Curriculum: 163 Years of the Penn Center - Make it stand out</image:title>
      <image:caption>The Rev. Jesse Jackson, from left, Joan Baez, Ira Sandperl, Martin Luther King Jr., and Dora McDonald (King’s secretary) are photographed at a Southern Christian Leadership Conference staff workshop held at the Penn Center on St. Helena Island in 1966. Courtesy of the Penn Center.</image:caption>
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      <image:caption>De Nyew Testament, a Bible written in Gullah/Geechee Creole</image:caption>
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      <image:caption>“Peace Tree” planted by the United Nations on the Penn Center Campus</image:caption>
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    <lastmod>2025-08-03</lastmod>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust</image:title>
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    <image:image>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust</image:title>
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    <image:image>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust</image:title>
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    <image:image>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust</image:title>
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    <image:image>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust</image:title>
      <image:caption>Glenda Simmons-Jenkins Co-Founder and Executive Director, GGCCT</image:caption>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust</image:title>
      <image:caption>Kathie Carswell Operations Director, GGCCT</image:caption>
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      <image:caption>Rudolph Henderson and Kathie Carswell walk through Crandall Cemetery, the site where members of Henderson’s family are buried on corporately owned forestry land. Courtesy of the GGCCT.</image:caption>
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      <image:caption>GCCTT accompanied descendants on a visit to another Gullah/Geechee burial ground located on corporate forestry land in Yulee, FL. Courtesy of the GGCCT.</image:caption>
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    <image:image>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust - Make it stand out</image:title>
      <image:caption>Vietnam Veteran Eugene Hunt pays respect to his grandfather, WWI Veteran James Hill Jr., who is buried at Crandall Cemetery. Courtesy of the GGCCT.</image:caption>
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    <image:image>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust - Make it stand out</image:title>
      <image:caption>Franklintown Chapel Historical Marker, installed 2012</image:caption>
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    <image:image>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust - Make it stand out</image:title>
      <image:caption>Franklintown Community Church of Amelia Island</image:caption>
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    <image:image>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust - Make it stand out</image:title>
      <image:caption>Logo for the 200 Voices Project</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67f90e723cc02506eb4f1392/1751671046855-7PJNEVXZ4S0LQYWTETIG/2025-05-17+14.09.13.jpg</image:loc>
      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust - Community Connections</image:title>
      <image:caption>GGCCT Fellow Jaya Riley presents at Gullah/Geechee Community Day</image:caption>
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    <image:image>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust - Make it stand out</image:title>
      <image:caption>Community Names for Ancestral Names Project</image:caption>
    </image:image>
    <image:image>
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      <image:title>Stories - (S1E5) On Sacred Ground: The Gullah/Geechee Cultural Community Trust - Make it stand out</image:title>
      <image:caption>Glenda-Simmons Jenkins and Kathie Carswell at Franklintown Church</image:caption>
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  <url>
    <loc>https://bghpn.org/stories/mpcpmp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-31</lastmod>
    <image:image>
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      <image:title>Stories - (S1E4) 12 Million Souls: The Middle Passage Ceremonies and Port Markers Project</image:title>
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    <image:image>
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      <image:title>Stories - (S1E4) 12 Million Souls: The Middle Passage Ceremonies and Port Markers Project - Make it stand out</image:title>
      <image:caption>The Andinkra symbol, Sankofa, adopted by the MPCPMP, meaning “to retrieve.”</image:caption>
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    <image:image>
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      <image:title>Stories - (S1E4) 12 Million Souls: The Middle Passage Ceremonies and Port Markers Project - Middle Passage Ceremonies and Port Markers Project Founder</image:title>
      <image:caption>Ann Chinn</image:caption>
    </image:image>
    <image:image>
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      <image:title>Stories - (S1E4) 12 Million Souls: The Middle Passage Ceremonies and Port Markers Project - Candomblé House</image:title>
      <image:caption>Interior of the Casa Branca of Ilé Axé Iya Nassô Oká Candomblé house in Salvador, Bahia, Brazia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67f90e723cc02506eb4f1392/19dd85ba-2b12-4b05-99a8-adb6dc2314af/Bernice+Johnson+Reagon+by+Diana+J+Davies.jpg</image:loc>
      <image:title>Stories - (S1E4) 12 Million Souls: The Middle Passage Ceremonies and Port Markers Project - Benice Johnson Reagon (1942-2024)</image:title>
      <image:caption>Bernice Johnson Reagon (1942-2024)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Stories - (S1E4) 12 Million Souls: The Middle Passage Ceremonies and Port Markers Project - Make it stand out</image:title>
      <image:caption>St. Augustine Middle Passage Marker, installed 2015</image:caption>
    </image:image>
    <image:image>
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      <image:title>Stories - (S1E4) 12 Million Souls: The Middle Passage Ceremonies and Port Markers Project - Make it stand out</image:title>
      <image:caption>Boston, MA, Middle Passage Marker, installed 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67f90e723cc02506eb4f1392/ae257ff6-061c-4a31-96ab-f772cb93bf27/tybee+marker.png</image:loc>
      <image:title>Stories - (S1E4) 12 Million Souls: The Middle Passage Ceremonies and Port Markers Project - Honoring a Promise</image:title>
      <image:caption>Tybee, GA, Middle Passage Marker, installed 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67f90e723cc02506eb4f1392/abfe950e-1203-4e12-b6ec-7590c740bea0/MPCPMP_MAP.png</image:loc>
      <image:title>Stories - (S1E4) 12 Million Souls: The Middle Passage Ceremonies and Port Markers Project - Make it stand out</image:title>
      <image:caption>The Middle Passage Project maintains an interactive map and database of documented arrival sites, along with additional resources.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bghpn.org/stories/foth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67f90e723cc02506eb4f1392/1746746713429-OVF0URWK2ZL73EH29R78/HenryOTannerHouse%2BPhoto%2B1.jpeg</image:loc>
      <image:title>Stories - (S1E3) Preservation for the People: Friends of the Tanner House</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67f90e723cc02506eb4f1392/1746746725438-TY6SRDTUTYZ8ZC9Z4XIK/IMG_0174+%281%29.JPG</image:loc>
      <image:title>Stories - (S1E3) Preservation for the People: Friends of the Tanner House</image:title>
    </image:image>
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      <image:title>Stories - (S1E3) Preservation for the People: Friends of the Tanner House</image:title>
      <image:caption>“The question we've asked through our community vision process as Friends of Tanner House is, what does it mean for love to thrive in our neighborhood? Which is a question of saying, what are the activities, the engagements, the gathering, the convenings that allow us to dream of a liberated future for ourselves?” –Christopher R. Rogers, Co-Community Coordinator, Friends of the Tanner House</image:caption>
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      <image:title>Stories - (S1E3) Preservation for the People: Friends of the Tanner House - The Banjo Lesson, 1893</image:title>
      <image:caption>The Banjo Lesson, 1893</image:caption>
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      <image:title>Stories - (S1E3) Preservation for the People: Friends of the Tanner House - The Power in a Name: A Collective Prayer</image:title>
      <image:caption>At the heart of this vision lies Henry’s story and the family whose namesake carries a centuries-old prayer for freedom. Born on June 21, 1859—mere months before Harper’s Ferry in October 1859—his parents deliberately named him Ossawa after the August 30, 1856 Battle of Osawatomie in Kansas. There, John Brown personally led a small band of free-state defenders in a fierce stand against a pro-slavery militia. The name Ossawa was a choice reflecting “a dedication to organizing to end the period of enslavement in this country,” Chris observes.</image:caption>
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      <image:title>Stories - (S1E3) Preservation for the People: Friends of the Tanner House - That rowhouse did more than shelter Henry Ossawa Tanner—it anchored a family devoted to social progress. His father, Bishop Benjamin Tucker Tanner (1835-1923), edited the AME Church’s Christian Recorder and penned theological treatises debunking the myth of the “curse of Ham.” His sister, Dr. Halle Tanner Dillon Johnson (1864-1901), became one of America’s first Black women physicians and founded Tuskegee’s nursing school. Their niece, Sadie Tanner Mossell Alexander (1898-1989), shattered barriers as one of the first three Black woman in the United States to earn a Ph.D.</image:title>
      <image:caption>Henry Ossawa Tanner, c. 1905.</image:caption>
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      <image:title>Stories - (S1E3) Preservation for the People: Friends of the Tanner House - Dr. Halle Tanner Dillion Johnson (1864-1901)</image:title>
      <image:caption>Dr. Halle Tanner Dillion Johnson (1864-1901)</image:caption>
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      <image:title>Stories - (S1E3) Preservation for the People: Friends of the Tanner House - Sadie Tanner Mossell Alexander (1898-1989)</image:title>
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      <image:title>Stories - (S1E3) Preservation for the People: Friends of the Tanner House - Three Core Questions</image:title>
      <image:caption>Drawing on Fred Moten and Stefano Harney’s The Undercommons, Chris recalled the Freedom Summer curriculum’s three core questions: “What is it that they, me and those in power, have that we want? What is it that those in power have that we don’t want, that we must refuse? And what is it that we have that we must keep?” But rather than start by interrogating power, Chris urged community groups to begin with their inheritance: “You have to start with what do we have…our inheritance as Black people, as pan-African people…that we want, that we must hold on to in order to create any thriving future for ourselves at all.”</image:caption>
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      <image:title>Stories - (S1E3) Preservation for the People: Friends of the Tanner House - Follow and Support Friends of the Tanner House</image:title>
      <image:caption>Website: https://savethetannerhouse.org/ IG: https://www.instagram.com/tannerhousefriends X: https://x.com/tannerhousephl FB: https://www.facebook.com/tannerhousefriends Philadelphia Printworks (Save the Tanner House Solidarity Shirt): (Pictured Left)</image:caption>
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  <url>
    <loc>https://bghpn.org/stories/moundbayou</loc>
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    <lastmod>2025-06-08</lastmod>
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      <image:title>Stories - (S1E2) A Promised Land: Mound Bayou Museum of Culture and History - About Mound Bayou</image:title>
      <image:caption>Mound Bayou, Mississippi—founded in 1887 by formerly enslaved visionaries Isaiah T. Montgomery and Benjamin T. Green—is the oldest all-Black municipality in the United States. Their new settlement thrived so impressively that in 1902 President Theodore Roosevelt, passing through on a bear-hunt train, “gave a speech out there, and he remarked on the level of progress and prosperity in Mound Bayou,” before exclaiming, “This is the Jewel of the Delta—it was the most remarkable place he had seen on his travels,” says Hermon. Laughing, Darryl Johnson delights in sharing Roosevelt’s final observation: “And these are 100 percent Negroes”—a testament to a community defined by its uncompromised Black identity. The Johnsons trace their roots to Mound Bayou’s earliest settlers. Darryl explains, “Mom and dad were born in Mound Bayou,” just like his great-grandmother Ada Simmons and her husband Samuel Thompson, whose families intermarried and laid down deep local ties. Around 1911, Ada Simmons founded the all-women’s Renovator Society to rally residents around the town’s anniversary: “She was the president, and they decided every July 12th we celebrate the founding of Mound Bayou. And today . . . we do the same thing again. We’ve been doing it every year since then.”</image:caption>
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      <image:title>Stories - (S1E2) A Promised Land: Mound Bayou Museum of Culture and History - Museum Co-Founders</image:title>
      <image:caption>Darryl Johnson (left) and Hermon Johnson Jr. (right)</image:caption>
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      <image:title>Stories - (S1E2) A Promised Land: Mound Bayou Museum of Culture and History - Acquiring a $3 Million Collection</image:title>
      <image:caption>Turning vision into reality in rural Mississippi demanded faith. Their leap was rewarded when Dr. Alvin Simpson, custodian of a vast collection of Black-history artifacts, rejected a $3 million offer and pledged his archive to the fledgling museum. “Dr. Simpson had decided before we had a museum,” Darryl relates. “When he [Hermon] called Dr. Simpson, I think the bottom line was he found out that Dr. Simpson had a made-up mind: ‘My collection is going to Mound Bayou.’ “He turned the three-million dollars down.”</image:caption>
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      <image:title>Stories - (S1E2) A Promised Land: Mound Bayou Museum of Culture and History - Women of the Movement and Till Exhibit</image:title>
      <image:caption>Today, that Hollywood momentum lives on in a dual showcase of genuine civil-rights treasures and on-screen memorabilia. In the Emmett Till &amp; Mamie Till-Mobley Exhibit, original courtroom photos, newspaper clippings, and the very items Mamie carried while sheltered by Dr. T.R.M. Howard during the 1955 trial share space with set pieces and her costume props from the 2022 film Till. Nearby, the Women of the Movement Props Gallery transforms a vividly painted room with salvaged New Orleans sound-stage décor and the dresses, hats, and coats worn by actresses portraying Mamie Till-Mobley, Fannie Lou Hamer, and Dorothy Height— mannequins and interactive displays drawing you into their strategies, sacrifices, and beliefs.</image:caption>
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      <image:title>Stories - (S1E2) A Promised Land: Mound Bayou Museum of Culture and History - Taborian Hospital</image:title>
      <image:caption>Mound Bayou’s medical legacy draws healthcare professionals and history buffs alike. In 1942, the Knights and Daughters of Tabor opened Taborian Hospital—the nation’s first HMO (Health Maintenance Organization)—equipped with operating rooms, X-ray, incubators, EKG, a blood bank, and a lab, funded by community dues and staffed entirely by Black doctors and nurses. Under Dr. T.R.M. Howard, it mentored activists like Medgar Evers and Fannie Lou Hamer and hosted Regional Council of Negro Leadership rallies with Thurgood Marshall and Mahalia Jackson. Though federal takeover led to its 1983 closure, its spirit of self-determination endures.</image:caption>
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      <image:title>Stories - (S1E2) A Promised Land: Mound Bayou Museum of Culture and History - Delta Health Center</image:title>
      <image:caption>In November 1967, the Delta Health Center opened in a converted parsonage with War on Poverty funds, offering primary care, dental, pharmacy, and maternal-child services alongside pioneering sanitation and “food prescription” programs, as the nation’s first rural community health clinic. As founding physician Dr. Robert Smith said, it became “the conduit for physicians…who believed that all people have a right to health care.” “Those two things are powerful,” Hermon Johnson Jr. reflects. “Either one by itself, but for both of them to be here is really valuable…A lot of doctors come to do studies, and people who are in school to be doctors—this is like a Mecca for them. So, they come from Boston and Chicago and other places just to come down here.” Today’s clinic–museum co-tours showcase Mound Bayou’s community-rooted model of equitable healthcare, still relevant in today’s fight for access.</image:caption>
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      <image:title>Stories - (S1E2) A Promised Land: Mound Bayou Museum of Culture and History - Caravan of Hope</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://bghpn.org/stories/bellevue</loc>
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    <lastmod>2025-06-08</lastmod>
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      <image:title>Stories - (S1E1) Against The Tide: The Bellevue Passage Museum</image:title>
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      <image:title>Stories - (S1E1) Against The Tide: The Bellevue Passage Museum</image:title>
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      <image:title>Stories - (S1E1) Against The Tide: The Bellevue Passage Museum</image:title>
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      <image:caption>Bellevue Village, one of twenty-two incorporated villages in Talbot County on Maryland’s Eastern Shore, is one square mile, consisting of roughly seventy dwellings and eighty residents, and is one of the few remaining historically Black maritime and working-class communities in the region. Settled in the aftermath of the Civil War, Bellevue was notable for its self-sufficiency.</image:caption>
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